Kurt Kansley


Training: Dramatic Arts and Music at Monash University, The
Melba Conservatorium in Melbourne Australia

Theatrical credits in Australia: Happy End (The Governor, Victorian Opera, 2022), Ragtime (Coalhouse, Production Company – nominated Best Actor in a musical, 2020 Green Room Awards), Evita (Che, Opera Australia – nominated Best Actor in a musical, 2019 Green Room Awards), Jesus Christ Superstar and Hair (Leroy, Production Company), The Lion King (Australian tour), RENT (Australian tour), The Grand Hotel, Godspell and Show Boat (Australian tour).

Theatrical credits in the UK: But I’m a Cheerleader (Mike, Turbine Theatre), Heathers (Ram’s Dad/Big Bud Dean/Coach Ripper; UK and Ireland tour) A Christmas Carol (Ensemble, u/s Marley, The Dominion Theatre, West End), Fanny and Stella (Lord Arthur Clinton, The Garden Theatre), The Nutcracker (Drosselmyer and Mother Ginger, New Theatre Royal), Wirework (Koos Malgas, Tristan Bates Theatre), Bernstein’s Mass (Tenor Soloist, Southbank Centre), Guys and Dolls (Harry the Horse, The Royal Exchange), Miss Saigon (Shultz, West End), Exposure (Bob, West End), The Lion King (West End), Elegies (Doug, West End), Ragtime (Coalhouse, Regents Park and The Landor), Sweet Bird of Youth (Jacky, Chichester and The Old Vic), A Midsummer Night’s Dream (Tom Snout, Regents Park), The Love Girl and The Innocent (Kolodoy, Southwark Playhouse), Hair (Berger, European tour), The 12 Tenors, Rock Around the Clock and Robinson Crusoe (Friday, Panto).

Workshop Credits: Power Play, Sherlock Holmes, Mulan and The Last of the Mohicans.

Writing Credits: The Songs I’ll Never Sing, Confessions, Has#ed Out, Autumn Rhythm, Beam Me Up and Fable.

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